The art researches of Le Minh artist immersed themselves in the art world, whether Western or oriental tradition. Viewers can see the silhouette of dizzying or ecstatic amazements, and more importantly it is an empirical mind insiders with paths, phenomena, genius … of the arts, it is also unique characteristic in the picture of Le Minh. The colors has deftly been manipulated by the artist with brilliant colors, aiming at the anxiety and immortality of human light from the windows of the world. They are new windows with lights of the church, some glittering human shadows on the sky of the heavens into a crimson orange, the wall white or pale color in an irrational way. The color gradients are overlaid and the tone is deep. The painter quickly finds out the expression of color language, the simplicity and generalization from the way the scene is depicted. Having a steady technique combined with subtle sensibility, Le Minh chose for himself an artistic interpretation from irrationality to rationality – the space in his art world is comparative with the blue, red, silver, dark blue, light purple, the colors are too excaggerated…aiming to find the rhythm of the color block and moving light. Watching carefully Le Minh’s paintings, we will easily realize the quiet story of each smooth line in the oil painting, even of the early Dong Ho paintings.
“Long Bien” bridge II
Dimensions |
120x
150 cm
|
47.2x
59.1 inch
|
Medium | Oil on Canvas |
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